捡一个片段来看看辩证法的运用---
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1. 让 波德里亚在《冷记忆》中关于真理以及局部真理的论述,
"有些女人展示自己的身体,并以华丽的服饰突出自身。另一些女人则提示自己的身体,同时保留着身体的秘密。还有一些女人只想着让身体消失,消失在令人想象力扫兴的面纱下。
穿衣的女人:必须观看,但禁止抚摸。
不穿衣的女人:必须抚摸,但禁止观看。
不过,这些也许正在改变。
要使一个对象具有色情味,必须让它处于对性的从容不迫的状态中,要更多地梦想,而少一些欲望,要不经意地斜靠着或睡过去,或是在自恋式消遣中心不在焉――那个对象你已经忘记了,它突然以某种奇特的方式奉献于你,带着某种冷漠的动物性,某种温柔的疯狂,某种不情愿的赤裸。只有无欲望的躯体才真正配得上快乐。
然而在真正的冷漠和虚假的冷漠之间还是有很大的区别:唯有真正的冷漠令我们感动。不过这种冷漠实在太少,几乎和美丽或疯狂一样少。"
2. "In Japan, you don't have a Hegelian tradition of art as a continuation of philosophy, art as an intellectual endeavor. There are applied arts instead, so craftsmanship is put very high, and practitioners are recognized as Important Cultural Properties," "whereas in the West, artists are the stars." --- quoted from Eubank's article, said by Philippe Codognet who came to Tokyo six years ago with the French Embassy and is now a Keio University professor, is hoping to re-create some of the scene he knows from his home town of Paris, where people from different creative disciplines often mingle at each other's events.
黑格尔是口井,每个人都在里面捞水。战争的时候亦然,文化兼并的时候亦然,强权政治的时候亦然,狡辩的时候亦然,抡诗的时候亦然---当夜幕降临,星光便会出现---《法哲学》序言。
黑格尔乃一江湖骗子, 叔本华说。
捡一个片段来看看辩证法的运用---
Sharon Stone says she's going to write some short stories, and I can already hear the giggles and sneers. And, of course, most actors can't write very well (except for Ethan Hawke, who's not bad, and Richard E Grant, who's pretty good), just as most writers can't act very well. But then, most writers can't write good short stories. When you write a short story, you are, as the literary critic Louis Menand says, performing a sort of magic trick. It's a very special skill. And who's to say that Sharon hasn't got it?
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